A comprehensive drafting study of a West Village townhouse, this project includes a dimensioned floor plan, furniture layout, reflected ceiling plan, and interior elevations. Developed to emphasize spatial clarity, proportion, and circulation, the drawings reflect a disciplined approach to detailing and a sensitivity to how architectural elements, lighting, and furnishings shape the experience of the home.

This concept study explores the spatial, material, and atmospheric qualities of a West Village apartment through a full SketchUp model and rendered suite. Beginning with drafted plans and elevations, the project develops into a cohesive interior narrative supported by a moodboard that blends vintage references, warm woods, and soft, diffused lighting. The model articulates how proportion, sightlines, and material relationships shape daily living—from the intimate living room composition to the kitchen’s layered detailing and the terrace connection. Renderings emphasize natural light, tonal balance, and the interplay between architectural elements and collected objects.

This editorial booklet was designed as an exercise in visual storytelling, using typography, hierarchy, and layout to create a sense of place. Across the ten-page sequence, large serif headlines and generous negative space establish an elegant, immersive tone, while a consistent grid guides the interplay between imagery and text. Full-bleed photography (seen on pages 1, 4, 6, and 10) grounds the narrative in atmosphere, and restrained body copy placement maintains clarity and rhythm. The design strategy centers on pacing—inviting the reader to slow down, linger on each spread, and experience Tuscany through a balance of expressive typography and warm, sensory visuals.

This project involved designing the visual environment for a podcast photoshoot, creating a set that could translate seamlessly across cover art and broader promotional assets. Working closely with the creative team, I developed a spatial concept that balanced atmosphere, branding, and functionality—shaping the mood through curated furnishings, color palette, and composition. The set was designed to frame the host naturally, provide versatility for multiple crop formats, and establish a visual identity that extends beyond the shoot itself. The result is a cohesive suite of images that anchor the podcast’s storytelling and serve as the foundation for its marketing presence.

I have supported the production of photoshoots across fashion and music, working on sets for brands such as Bella Venice and Les Miss, as well as on shoots for the recording artist Maeve. My role often included coordinating pre-shoot logistics, preparing sets, managing details on the day of the shoot, and ensuring the creative team had what they needed to execute the vision smoothly. This experience strengthened my ability to work collaboratively, anticipate needs on set, and contribute to shoots that are both visually compelling and efficiently run.

My personal photography is really just me paying attention to things that catch my eye—light, textures, quiet moments, little details in a space. It’s not something I do professionally, but it’s become a big part of how I notice and understand visuals. Taking photos helps me figure out what I’m drawn to, and that ends up influencing how I approach design and creative work overall.

Drawing has always been a quiet hobby for me, but it naturally supports the rest of my creative work. Most of what I make are simple pencil sketches—small studies in form, detail, and observation. It’s a way for me to stay connected to working by hand and to explore ideas in a more intuitive, unstructured way. This practice adds another layer to how I think visually and how I approach design and creative problem-solving.